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Rajeev Kanakala is given a role that’s beyond the usual villainism with dialoguebaazi. You cringe whenever she cringes at a man’s touch, your heart breaks when she cries and it soars when she seems to find a trusting partner in Revanth. Sai Pallavi is a dream to watch when she dances but is a delight when she performs. He is handed a character that’s sensitive, polite, understanding of a girl’s boundaries and someone who’s not afraid to go the extra mile for love – and he pulls it off well. Naga Chaitanya easily delivers one of his career’s best performances with Revanth. Scenes where Revanth screams in frustration and Mouni makes it clear that it’s not the women of the house that need to be controlled, it’s the men, stay with you long after the film is done. It doesn’t help that another young couple they know meet a fate that doesn’t lend them any hope. Sekhar Kammula does such a stellar job of helping you invest in Revanth and Mouni’s lives that your heart races when the story gets into the thick of things. The couple steal quiet moments in the Metro but the baggage they come along with seems to loom over them. Even as Mouni dances to Saranga Dariya and Revanth plans for their future together, you have a sinking feeling in the pit of your stomach. They even form their own Pyarana Pul between their houses and often meet midway, both literally and figuratively.īut what starts out as a light-hearted entertainer with fun moments thanks to Gangavva gets heavier as the film progresses. The two are often handed the short end of the stick through the film but they manage to keep themselves afloat with each other’s help. Mouni is often told – nee valla kaad – so many times that you believe her when she says – niku heart led abba. In one scene he’s even told, “ Meerantha inthe,” in a fit of anger by someone he considers his loved one. Revanth’s home owner seems comfortable in delegating the job of getting a leaking manhole cleaned to him instead of doing it himself. In Love Story Sekhar Kammula seems to say that the biggest lie the ‘big city’ plies is that it offers equal opportunity to everyone irrespective of their caste or gender. There’s beautiful songs shot in the rain, lots of love, sensitivity, understanding and even some anger. She wants to land an IT job and is instead encouraged by Revanth to help him with his zumba classes till she finds what she needs. He has his own zumba centre even if he struggles to make ends meet. Mouni (Sai Pallavi) also escapes to Hyderabad to not just assert her independence from a family that doesn’t seem to understand her but also from a few demons from her past. He has grown up facing caste disparity from a very young age but has been told by his mother (Easwari Rao) that anything is possibly as long as he works hard for it. Revanth (Naga Chaitanya) moves to the city from Armoor, Nizamabad to chart his own identity. Love Story is Sekhar Kammula's ode to love. Yet, he manages to find a balance between entertaining the audience and addressing social issues that don’t often find space in the stories we usually see. You have a mainstream hero, a stellar performer and dancer, a love story peppered with foot-tapping songs.
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Review: With Love Story Sekhar Kammula manages to push the boundaries when it comes to what commercial cinema has come to mean. But with their social standing & gender proving to be a hindrance, will they manage to find a way to let their love prevail? Story: Revanth and Mouni dream big when it comes to their lives.